A M A N D A  D.  K I N G
studio




Piñata, 24’
Cleveland, OH






Hospital, 21’
Boardman, OH



Three Lil’ Girls (Tiana), 25’
Cleveland, OH 




Double Tree, 21’
Youngstown, OH




Still Restless, 20’
Cleveland Heights, OH




Night Gown, 20’
Cleveland Heights, OH





Rise & Fall, 24’
Rocky River, OH




Charron, 18’
Cleveland, OH




Candle, 24’
Edgewater Beach




Easter Idyll, 22’
Monoprint



Leaden Circles, 24’
Edgewater Beach








King v. US, 21’
Cleveland, OH





Mansions on Fifth, 21’
Pittsburgh, PA




Seraph (Ruby Bridges), 22’
Monoprint




Kevinee, 18’
Cleveland, OH





Aaron, 23’
Cleveland, OH




Leah, 18’
Cleveland Heights, OH




Ice (Raekwon), 22’
Monoprint





The Garden, 24’
Cleveland, OH





Mermaid Girl, 25’
Youngstown, OH






Shadow (Marian Anderson), 2020
Monoprint





Lake Erie Cemetery, 24’
Cleveland, OH



Homewood Cemetery,2021
Pittsburgh,PA







Amanda D. King

visual artist-cultural strategist
curator-social justice advocate



amanda@amandadking.com
amandadk@umich.edu


I’m a Cleveland-based photographer and creative director exploring Black interiority. Drawing from social realist and post-minimalist traditions, my work moves between photography, installation, and design, examining the civic and theological dimensions of contemporary life.

I began my creative career in editorial work in New York City before developing an artistic practice concerned with how images produce meaning, circulate through culture, and influence public life. Alongside my studio practice, I work as a cultural strategist, curator, and independent writer, engaging questions of representational ethics, memory, and cultural production within the creative ecology of the Midwest.

I studied art history, photography, and film theory at Bryn Mawr College. I received my JD from Case Western Reserve University School of Law, where I focused on state violence, surveillance, and protected speech. I’m currently an MFA student at the Stamps School of Art & Design. My visual and legal studies inform an ethic of regard, a framework I developed for thinking about cultural production, representation, and responsibility.